Residency Blog: Alena Ageeva

By Moira Rae on 15.10.25

Invisible dance

collective body

where does the magic come from?

 

 

when body becomes a mediator, there is no conflict between urban and natural

letting myself be moved

how to jump out of the box of limitations of my personal/human perception?

 

how to take myself out of the position of facilitator while still creating a framework for creative exploration?

the gate in the park as a border line between where and where? Transition point, portal, stepping out, leaving behind

 

walk from ... to .... ? Does it have to be a destination at all? Walk itself as a destination

…to be moved by the idea of delegating the leading role to the material world around us, and to question our usual way of perceiving reality

noticing unremarkable, surrender to the world, and finding the ways to enter non-linear  space and time

celebrating the mundane

rainy day: new sounds in the rainy world, smells were different, I was walking slower, felt more connected to the leaves and dogs than to people

 

framing: looking through, finding a frame, creating a frame, being a frame

 

transition: the world on another side

observation: with eyes closed, with peripheral vision, observing a sound trace of movement, reflection of dance in a space

 

Karen Barad / Jane Bennet

 

“Things have the ability to act upon us, shaping our interactions and perceptions”.

“Non-human entities possess agency and play crucial roles in shaping reality”.

 

“Role of sensory experiences in understanding the relationship between human and non-human”.

 

 

 

All images and videos by Alena Ageeva.

 

Alena Ageeva 
Alena Ageeva is an Edinburgh-based dance artist and performer, who graduated as physical theatre director.

These notes and images were written and collected during her remote residency with The Work Room in September 2025. 

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